Marilyn Manson Portrait of an American Family Era Logos and Photos

All Writing & Content © Nick Kushner Unless Noted Otherwise

EARLY LOGOS & DESIGNS | Early on referential logos and designs of Marilyn Manson, spanning from 'Portrait of an American Family', 'Smells Like Children' and prior to the band's national signing to Nada Records in 1993. Included to follow will exist scans of original earlier fliers, Marilyn Manson mailing newsletters and early drawings past Manson.

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THE CHURCH OF THE ANTICHRIST SUPERSTAR Keepsake | Originating in 1995 and conveying over until 1997 on various fanclub newsletters, t-shirts and other designs, Manson adopted a parodied mock-religious logo to correspond his self-styled "Church of the Antichrist Superstar" preceding the dawn of the album's release.

As the album title 'Antichrist Svperstar' is in effect a cheeky parody of the 1970 concept album 'Jesus Christ Superstar' Manson's logo for this era, along with the Stupor symbol, was a directly reference to the cover art of the album proper name he reinterpreted, with the Manson lightning commodities juxtaposed within the heart for further inversion and personalization.

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ANTICHRIST SVPERSTAR SHOCK SYMBOL | The most infamous and synonymous of all of Marilyn Manson'south logos and signets, the Shock symbol of 'Antichrist Svperstar'. The references within Manson's adoption of this symbol are vast and far reaching, which extend to the occult, David Bowie, Anton LaVey and Satanism, Nazis usage of similar symbols, to as simple equally the lightning bold being the universal symbol of electrical daze ; concerning for the New Millennium's almost notorious and controversial "Shock Rocker"

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MECHANICAL ANIMALS OMĒGA SYMBOL | "'I am the Blastoff and the Omega,' says the Lord God..." Revelation 1:eight ; The Beginning and the Stop.

At the dawn of the album's release, Manson stated that the incarnation he embodied during the 'Mechanical Animals' era was to correspond the concluding stage of development which he was to assume. Omega is the concluding letter of the alphabet of the Greek alphabet and is the centuries one-time symbol which signifies 'The End', or the Apocalypse if viewed in a Biblical context.

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THE Final TOUR ON Earth - TV CROSS | "Marilyn Manson, the great rock vocalizer, saw a photo of this scene, I suppose, and used it at a music festival. He used this cross. The scene of the millionaire's son was taken out because we feared it might be considered as child abuse, as pedophilia." (Alejandro Jodorowsky 'The Holy Mountain', deleted scenes commentary.) KKK etc quote Astonishing

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HOLY WOOD, MERCURY & THE ANDROGYNE | The identity which Manson adopted during 'Holy Wood', as well as the Triptych containing its predecessors 'Mechanical Animals' and 'Antichrist Svperstar'. Mercury is the key element in alchemy which is said to yield the fabulous Philosopher's Stone and is the planetary element which bears the influence of artistic and poet flair. Its equivalent in Greek mythology is the God Hermes who is known every bit 'The Messenger of the Gods'. The Androgyne is a symbol of alchemical residue, Male & Female; Black & White; Marilyn & Manson, and thus a symbol of the transformation and evolution which The Triptych represents.

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HOLY Forest ERA GUN CRUCIFIX | "Practice you love your guns, your god, your authorities?" as Manson scathingly indicted on 'The Love Song', against the ethics America holds above all else. The three tools information technology uses to justify its bigotry, bullheaded-hatred and bloodlust. The gun crucifix symbol which Manson adopted during the 'Holy Wood' era symbolizes that very theme of, literal, violence worship by combining three guns into a symbol of universal worship, the central arm of which is styled afterward the rifle used to assassinate Kennedy whom America has historically valued every bit a martyr, or Second Christ, via his very public death. The blazon of death which both makes the aggregate public reel in horror, and conversely enthralled to complete absorption and consumption of tragedy.

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GOLDEN Historic period OF GROTESQUE DIAMOND | The symbol of The Gilt Age of Grotesque era is a regular black rhomb with a double white border against a black background, the outer border is thicker than the inner one. There are ii stylized white capital G letters inscribed within the rhomb.

Aside from the SS insignia the specific outline of two M letters goes back to the Nazi Eagle, 1 of the chief symbols of fascist Germany that embodies forcefulness, power and might. In this context, by viewing the Marilyn Manson MM as representative of two eagles this is not-adventitious connotation, as in abracadabra the double eagle is a sign of Androgyne; Mercury.

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RODENT Death'Due south HEAD | Alternate logo utilized onstage and accompanying tour program of 'The Golden Historic period of Grotesque'. The inversion of the traditional Nazi SS styled death's head amalgamated with a familiar pair of drawing rodent ears. An extension of the artistic collaborations with controversial artist, Gottfried Helnwein, this more incendiary logo does in turn represent the very satirical themes Manson wished to portray throughout the anthology and era.

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PERSONAL JESUS | Though a Depeche Style encompass, Marilyn Manson's video for 'Personal Jesus' contained many references which began with a new logo on the single cover, its accompanying artwork and fifty-fifty down to the apocalyptic imagery within the video for the song itself.

Additionally, Depeche Mode; the Iv Horsemen of the Apocalypse; the legendary slayer of the dragon (ie - Satan), St. George; false prophets; and evangelical profiteers are all present inside the one and only single from 'Lest Nosotros Forget'.

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DOUBLE-CROSS - THE CELEBRITARIAN SYMBOL | Celebritarianism. Celebritarian.com was (temporarily) resurrected from the dead in Oct of 2005. The sole symbol which the website consisted of is a double barred cross, oft known every bit The Cantankerous of Lorraine. It's a symbol that has connotations in the occult, abracadabra likewise as freemasonry, all of which accept been underlying, reoccurring and key elements throughout Manson'south art.

Showtime hinted at by its implied formation on the cover of the unreleased 'Holy Wood' novel, it is a symbol which has been consistently referenced past Manson since this date and is additionally constitute within the cover artwork of 'Eat Me, Drink Me'.

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MARILYN MANSON / CELEBRITARIAN CORPORATION LOGO | Though evidently aborted for apply upon the release of 'Swallow Me, Drink Me' in 2007, this logo which never rose to total fruition was the central slice to the montage that was the official Celebritarian Corporation masthead which Manson conceptualized to embody the era and fine art movement he had been cultivating betwixt 2004 to 2006.

Outlined in the following is a breakdown of each element of the collage with all that can exist inferred about it and the logo with its minimal utilize and release, which were all amalgamated and assembled together to embody the ethos of Celebritarianism, with each piece a representation of the themes Manson wished to portray.

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Swallow ME, Drinkable ME TWISTED Middle LOGO | A new management for Manson emerged in the events leading up to the release of 'Consume Me, Drink Me': the cryptic elements from MarilynManson.com became less prominent, and has since been replaced with a new twisted middle icon, altogether seeming to shift towards a more raw, emotional & subjective examination of admittedly his most difficult yr withal.

This detail heart however find its origins within a 1920'southward horror film of a perverse dearest gone awry...

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EAT ME, Drinkable ME - VAMPIRE FANGS LOGO | Though non particularly esoteric or heavy symbolism, the chief 'Swallow Me, Potable Me' Marilyn Manson logo (every bit opposed to a symbol denoting the themes of the album/era, such every bit the Mad Love heart signet) were two claret dripping fang-similar M'southward to represent the initials of the band. Fairly self explanatory in representation, and included here for the sake of being all-inclusive, the dripping cherry-red M's are however an iconic logo in themselves and work finer in illustrating the many vampiric themes of the album.

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THE HIGH End OF LOW - PRETTY AS A $ | Equally its championship would suggest, Arma-Goddamn-Motherfuckin-Geddon' contains numerous parallels to Biblical iconography. These themes, amongst others, pervade the song and video for the single, exploring the innate fascism of money, censorship and sensational of American culture. 1 of the almost indicting tracks on the record with the single's video and imagery acting as a prelude to the new era's ethos. The new $ symbol with the video acts additionally as a veiled reference to Salvador Dalí, stemming from a pointed attack formulated on Breton'southward belief that Dalí had abandoned his artistic integrity and surrealist roots in the pursuit of fame and wealth. Furthermore, (and much like Manson) Dalí was met with accusations of being a Nazi sympathizer who held militaristic and fascist ideologies, due to his unashamed and open up fascination with fascism.

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K/M 15 - MAR1LYN MAN5ON & NUMEROLOGY | Manson's offset predominant evocation of numerology first reared its caput throughout 1996's 'Antichrist Svperstar' era but information technology wasn't until 'Mechanical Animals' that numerological correspondences became obvious within his works. Namely, the number 15, which tin exist found consistently throughout Manson's works ever since..

The number xv resurfaced prominently during The High End Of Low era with an eponymous track title, every bit well as a "Mar1lyn Man5on" logotype on the single 'We're From America', accompanied with a new logo on the back made of 2 rough Ms interconnected by a daze symbol, each bearing a i and v within them. The logo also appears on the back of a shirt from the era, while Manson signs most of his web correspondence with a "1000/M 15".

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Source: http://www.nachtkabarett.com/LogosAndSymbology

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